Festival D’automne Orgue Et Couleurs 2021 In Montreal

This creates an evolutionary environment where the selection of each generation is influenced by nebulous social measures, like user satisfaction or mollification. Cognitive Science has shown us that humans typically prefer coherence over truth. This could result in the XAI optimizing for what is convincing instead of what is true, without anyone intending such an outcome. Increasingly algorithms are being used to govern complex decisions, such as criminal sentencing and insurance premiums.

Qouleur Festival

Headlining the event is international sensation Cazwell, who is making his way from NYC. Tyler & Sal have also decided to fill a few vans full of their loyal followers, and ship them over. The real surprise of this mini festival will happen on Friday night as the miscreants of the Montreal nightlife institution GAYBASH will descend upon Ottawa for the first time. In fact it will be the first time Tyler and Sal take their glamorous dumpster baby of a party beyond the borders of Quebec. Anyone who has had the pleasure/horror of attending one of the terrible twosome’s parties can only help but wonder if such glorious madness can exist off the island of Montreal or if it will just crumble into sparkly dust like a unicorn no one believes in. With the help of the Citizens United ruling, combined with a shameless corporate media, and a wealth gap that spans to the moon, a perfect storm has formed on the horizon of the Great American Experiment. When this storm hits—yes, it’s a matter of when, not if—and the toxic policies of the mega-rich are fully unleashed, Americans can kiss goodbye to any ideas they may once have had about life, liberty, and the pursuit of happiness. As a young, naïve Canadian, I used to think of America as we’re supposed to think of America.

Is Gender Confirmation As Fluid As Gender Itself?

Second, technology has altered how time is understood, privileging those with the capacity to act quickly. The paper contributes to understanding the critical role technology has played in museum governance, creating particular power dynamics as relationships are shaped and www.ellgeebe.com resources become more or less accessible to specific institutions. Such realities raise countless public policy questions about the best ways for labour, unions, employers, and governments to balance competing needs of security and privacy in an increasingly ‘open’ society. In terms of labour relations, the myriad opportunities social media platforms provide for amplifying individual expression, some of which may clearly be damaging to employers, presents a host of ethical, legal, and moral challenges pitting employee rights against the authority and power of employers. Put simply, the relationship between employees’ experiences at work and their ability to publicly express their voice without fear of reprisal constitutes an important public policy and human rights issue. This highlights the need for developing governance mechanisms to ensure an effective balance is struck between the interests of employees and those of employers.

Qouleur Festival

The existing framework of Canadian policy designed to regulate national media markets is, consequently, becoming ineffective. Subsidising the production of content by private producers, and funding a public distributor of content to fill gaps left by the market, both depend on the ability to impose regulations on a marketplace of private producers and distributors. In a world dominated by global monopolistic platforms, that ability is disappearing. The algorithmic determination of distribution of content on these platforms is not designed to keep users of the platforms satisfied or to meet their needs but to maximize revenue. This leaves no means of ensuring an accountability over the flow of information and cultural goods to the public.

The Queer Film Festival Quandary

Submissions can include film, photography, installation, visual art works, etc. Applications may be scheduled as solo exhibitions or a mixed program; this will be determined in context of the proposals reviewed. Street Vibes is a night of urban arts showcasing local artists and our youths. Taking place during and in collaboration with NDG Arts Week, Street Vibes is a fundraiser that engages NDG’s youth community with eclectic artists coming together to support Jeunesse 2000 , Head & Hands’ teen drop-in centre. Chun Hua Catherine Dong is a Chinese born Montreal based visual artist working with performance, photography, and video. She received an MFA at Intermedia from Concordia University and a BFA at Visual Art from Emily Carr University Art & Design in Canada. She co-produces Dark Room, a monthly goth/industrial/punk/freak fest party, and is the head mistress of Black Glitter family/record label/production house. She is also a member of the production and performance art group DADDIES PLASTIK. Projected against a back drop of dark synth and soulful tracks, San Cha delves deep into herself to bring you glimpses of her soul.

A descendant of the Anishinaabek of Serpent River First Nation, Genaabaajing, on the north shore of Lake Huron, Devine’s work emerges from the storytelling and image-making traditions that are central to Anishinaabe culture. Her art explores issues of land, environment, treaty, history, and narrative. John Greyson is a Toronto based film and video maker who has been politically active in the Toronto queer community for the past 33 years. With short videos and feature films he explores topics ranging from anti-censorship battles, AIDS discrimination, same sex marriage, militarism, the tar sands, Israelie apartheid and the fight for AIDS treatment drugs in Africa and the world.

He teaches courses in discourse, and foundational theories in media and communications. His published work touches on the art world, memory, liveness, and the performance of rhetoric as dissent. Guy T. Hoskins is a doctoral candidate at York University and a course instructor at Ryerson and Royal Roads Universities. His research focus is on the global political economy of digital media, and in particular its intersection with questions of digital rights and communication policy. His doctoral thesis examines the constitution of digital rights at the periphery of informational capitalism through analysis of Brazil’s legal framework of digital civil rights, the Marco Civil da Internet. Work published in Television and New Media and Internet Policy Review, and presented at conferences such as IAMCR, Union of Democratic Communication and AoIR has examined similar questions of communication policy and the global political economy of the Internet. Guy speaks Spanish and Portuguese fluently and locates much of his research in Latin America. This roundtable will discuss the concept and parameters of algorithmic literacy, and how it can best be integrated into a range of formal and informal educational programming, from those focusing on children and young people, to adults and seniors.

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